Kenzo - RegentsMedia
Sunday, February 1, 2026
Final Product
Editting
This is the progress of our editing for the music video. This blogpost is originally made by Jeremy.
First Result:
This is the result of me filming and editing in the span of a day. I thought it was pretty decent but some of the scene color was washed so I had to go do some reshoot
Feedback From Mr Nick:
- Some of the scene lighting is too dark
- Some of the clips placements are too random
Second Improved Result (After Feedback)
Here I fixed some of the low lighting after reshoot, which I implemented after Mr Nick's advice.
Overall I would say it's a decent improvement from the first video, and I am satisfied
Some screenshots of the editing process:
Reflection: Even though I didn't help Jeremy with editing, I was able to give him feedback to improve the music video. However, some feedback could not be fixed as it was a problem with the device or the actor not being able to lip-sync properly. Aside from the negatives, it turns out to be pretty good than I thought and I kind of liked how this group went.
Research & Development: Social Media
This blogpost talks about the social media account we created for our artists. This blogpost was mainly made by Candra himself.
Tuesday, January 20, 2026
Screen Test
This blog shows the screen test we did for our version of the music video. This blog is made by Kenzo:
When we did the screen test for our music video, we showed our audience the first product so that we could get a lot of criticism and produce our version two much better. Another thing is that a screen test helps us to view different perspectives of different types of audience, whether they get the message of the media text we're trying to convey. Most of the ratings given were around 7-8, which surpassed our predicted rating, but there is still more room to improve. The criticism all audiences have in common is that most of the scenes are too dark and shaky, which reduces the clarity of the media text.
Wednesday, January 14, 2026
Classwork: Persona + Brand
This blog contains the classwork we did relating to Persona and Branding for our music video. The branding was made by Kenzo, and the persona classwork was made by the whole group.
Here is the mindmap we did for our main character that will be shown in our music video:
UPDATE: Turns out this was very useful because when we entered the shooting location, we knew what we had to do as the persona branch from the mind map gave us a bit of visual on how the video will look like. However, we did went abit off course with the outfit of our artists, but aside from that I think I did pretty well on this.
Thursday, January 8, 2026
Digipak: Research & Development
The Research
When doing the Digipak research, I used multiple social media apps such as Instagram, X, and TikTok to give me a wider understanding of how other artists construct their Digipak to fit their persona and the intended audience of their album. Our teacher told us to do 6 research of Digipak cover but I did 10 give us a better understanding of our genre.
- Medium Shot: The angle of this shot is taken at eye level, and the lack of camera movement and angles makes this scene feel uncomfortable and eerie, as if something is wrong, even though nothing has happened. The position of Billie Eilish is facing directly to the audience and centred in the frame, also adding to the uncomfortable feeling.
- Dark background: A calm but sad feeling. This also depicts a single character in a small, dimly lit room, which conveys loneliness and quiet.
- Simple and Plain costume: The loose and oversized white outfit shows vulnerability and links to the theme of sleep. The white contrasts with the dark black surroundings, making the image feel unsettling.
Billie Eilish does not have a strong traditional logo, as her branding often relies on mood, imagery, and minimal use of typography. However, this album cover is consistent throughout her other media, such as merchandise, music videos, and so on, which use low-key, moody lighting, an unsettling environment, and a minimalist aesthetic that prioritises emotions.
How has the Album Cover influenced you?
Even though the vibe given off from this digipak is really well created, our artist would probably not 100% follow this digipak design, as it's too horrifying and disturbing for the viewers. We would most likely only take the lighting from Billie Eilish and apply it to our digipak. Since this was the first digipak I researched, I realised that facial expression is also important, as it conveys what our character's overall personality looks like.
- Medium Close-up Shot: The angle of this shot is taken at eye level, and direct framing makes this digipak have a raw, documentary style feeling. Additionally, it also uses the lack of camera angles, which creates a sense of unpolished realism combined with eye level view, suggesting honesty in everyday life.
- Black and White colour palette: this creates an urban, gritty vibe. The urban vibe allows the audience to feel that the artist's lifestyle is similar to theirs.
- Simple background: Allows the audience to stay focused on the emotion and expression of character in the digipak cover.
- Cigarette: it helps to symbolise the character in the digipak as a rebellion and a youth culture type of person
- Plain clothing: it adds to the realism vibe, making it feel more depressing.
This artist has a logo, and they are named Arctic Monkeys. The font used in the text logo matches their indie identity, and with their other music albums, they have focused more on imagery rather than branding, which makes them consistent across their other media.
How has the Album Cover influenced you?
We will most likely create something similar to this album cover, as it does not require any complex props or visuals. A similar font used on the digipak cover could also be used on ours, as both of us share the same vibe and target audience for the music video. So far, this digipak is what we're looking for.
- Close-up shot: Eye levelled to show the audience the artist's expression, creating a direct connection with the viewer. It also uses a lack of camera angle, making the image feel reflective. Another thing is that it also uses a tight frame to show the artist's clear expression and his age in the picture.
- Dark background: shows the artist is isolated, combined with the tight space of the picture.
- Blue lighting: it shows the mood and vibe that the artist is full of sadness and loneliness.
- Plain clothing: The artist intentionally does this to keep the audience focused on the facial expression, similar to the previous digipak cover.
The artist uses a simple text logo, such as "TheWeeknd /Dawn FM", similar to his other albums. The typography matches his intended retro radio vibe, and it feels like the branding is minimal and intentional. If we compare it with the other media of TheWeeknd, the design remains consistent, mostly showing his own singular face in the image.
4) The Smiths - The Queen is Dead
- Medium Close-up: the character is shown side-facing the camera rather than looking at the camera, which is something new compared to the other digipak I researched. The angle at which the album cover was shot makes the audience feel that they are observing the character.
- Black and white colour palette: it gives an old classic vibe and a serious mood.
- Neutral face expression: It creates an impression on the audience that the character has detached from emotion and is depressed.
- Simple background: Similar to the other digipak cover I researched, the artist intentionally does this to make the audience stay focused on the subject, which is the face of the character.
The album cover highlights the emotional depth of the Smith rather than the glamour, reflecting on Smith's introspective nature. The album cover rejects the norms of pop culture and instead tries to create an emotional feeling of detachment by using proper Miss-en-scene which is in line with the band's artistic identity.
Same with the other artist I researched, The Smiths, uses a simple serif text logo for their band on the album cover. This style of logo remains consistent throughout other Smith's albums and merch. The reason they do this is probably because the band wants the audience to focus more on the message and make it feel more honest, rather than focusing more on the branding.
5) Keshi - Requiem
- Long shot: the camera is positioned a bit distant from the artist to create a silhouette shot. This camera angle completely subverts a typical pop-star image, as the lack of eye contact suggests emotional detachment and avoids being too glamorous.
- Low-key lighting: The image, combined with a strong backlight of the character, creates a dramatic silhouette.
- Dark, simple clothing: It adds up to the vibe.
- Lack of props: the artist wants the audience to focus on the emotion rather than on other objects.
- Unclear setting: the artist wants the audience to focus on the emotion rather than the location.
6) Jeremy Zucker - Love is not dying
- Medium shot: It is also placed at eye level to create equality between the artists and the audience. The artist's head is shown tilted down while avoiding eye contact and is intentionally placed slightly off-centre, creating a sense of emotional imbalance.
- Lighting: low-key lighting under the sunset with orange and a bit of mixed purple colour.
- Setting: Outdoor sky at dusk may symbolise that something is about to end, and a new life may begin.
- Simple costume: the artist is trying to make the audience relate to him.
- No props: the artist wants the audience to focus on the emotion rather than on other objects or status.
The artist does not have a visual logo; he relies on his handwritten style, typography and minimal graphic design. Throughout his career, this style has been shown consistently on his merchandise and vinyl/cassette designs.
I like how the album gives a healing lighting through the sunset setting and dusk sky, telling the listeners that it's going to be reflective music. Jeremy's closed body language promotes emotional connection and empathy. By this, it makes the audience listen to the record more intently and thoughtfully, instead of just carelessly
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DEVELOPMENT #1
FRONT COVER
The front cover is the most important part of the digipak, as it gives the audience a first impression of how the music's vibe will be. Which is why Jeremy and I produced a lot of versions of the front cover and asked a few audience members which design is prefered the most.
1st Version:
We didn't have any illustrations or whatsover however, we want to fuse Arctic Monkeys' digipak cover with our music video. We want the audience to feel that the character is trapped inside his own thoughts by making the character alone in a small room with his head down. Additionally, we want to tell the audience that it was his birthday, so instead of having candles on a cake, we added a cigarette on layers of bread. The cigarette on the bread suggests that the character is doing the bare minimum on a day that he's supposed to feel special about, combined with water from the shower raining upon him, telling that he's trying to cleanse himself from thoughts washing over him. We used the glowing question mark on his head to make the audience think that our character is uncertain of his identity.
After we finished the 1st version, we asked our teacher how the front cover looks and it was met with pretty good feedback. Here's what he said, summarised in points:
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After receiving feedback from our teacher, we scrapped our first version and immediately worked on our second version. We decided to pick another picture that shows the bread and a cigarette, much more visible than our previous 1st version. We also experiment with different lighting and visual effects to try to give more options for our audience to decide.
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The chosen Digipak Design based on Fig 2.2
I intentionally covered Kenneth Lee's eye, as it creates a meaning of uncertainty and lack of clarity about his future life. Aditionally I added roses in the background as it symbolizes love and desire; however, I lowered the contrast of the roses and made them dark and a bit hidden, which makes the audience think that the artist emotionally wants that to exist but cannot be clearly perceived. I also copied most of the digipak research where the artists are centred in the frame. This makes the audience focused on the intended subject (which is Kenneth Lee). I think this is a good digipak design because it creates a powerful message without explanation.
DEVELOPMENT #2
DIGIPAK CONTENT
Version 1 (attempt made by friend)
Version 2
Mini vote
So it turns out version 2 was the chosen one. Even though it was a good attempt made by my friend, there are some flaws that it has (for example: The same digipak cover is used for the digipak content). In version 2, the content is divided into the left panel and the right panel. On the left panel, the artist is shot from a high angle, making him vulnerable, and the low lighting gives a sense of emotional heaviness and depression. We intentionally make the artist feel like he's doing too much but still is not enough, which fits the theme of the song. Not to mention, I also added a quote saying “I step into another year carrying the same unanswered thoughts,” which is not a dramatic quote but a reflective one, talking about how time is slowly passing, and growth is expected. On the right panel, it shows the shadow outline of the artist rather than the full person, which may suggest he has lost his identity.
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DEVELOPMENT #3
BACK COVER
The Final Version
The gold exterior and the dark interior create a contrast that can represent the difference between Kenneth Lee's public identity and his private emotions.
Wednesday, January 7, 2026
Classwork: Theory of Stardom
This blog post is the classwork we did during class about Stardom's Theory.
Reflection: This is the classwork we did about theory of stardom. Doing this classwork was not really useful for our music video project but atleast it gives us a wider understanding of media.
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